直立行走

直立行走

分类:科幻片剧情科幻 地区:其它 年份:2005 导演:Yevgeny Yufit 主演:Aleksandr Anikeenko,Sergey Chernov,Stanislav Ilyukhin 状态:HD

简介:《直立行走》电影上映于2005年,这是一部热门火爆的科幻片电影,《直立行走》电影主演是:Aleksandr Anikeenko,Sergey Chernov,Stanislav Ilyukhin,想看更多:高清完整版、无删减版、高清免费版、直立行走在线高清版,就来看剧吧(www.xwxian.cn)免费在线播放。
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内容框架

  Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
  (http://www.input2002.com/en/film/24418.html)

观众心声

网友点评 · 226 人参与讨论
Fag1Ch

阿布哈兹人猿实验

2020-09-06 有用 1
可溶化的魚

Achille Mbembe指出,现代权力不仅管理生命,更决定“谁必须死,谁可以被杀而不被视作谋杀”。在《Прямохождение》中,死亡已去事件化(de-eventalized)——死亡不再具有终结性,也不引发社会反应。这映射后苏联社会的“死亡过剩”:政治转型中,无数个体被历史抛弃,其生命既不被珍视,其死亡亦不被承认。尤菲特则更进一步:他让尸体自主复活,形成一种“死灵能动性”。这不是超自然,而是对死亡被政治工具化后的反叛。当国家不再哀悼你,你便自己爬出坟墓,继续行走——哪怕只是无意义地晃荡。这种“不死”不是永生,而是对被抹除命运的顽固拒绝。

2024-05-13 有用 0
熊仔俠

翻译字幕再看一遍。 绝对是返璞归真……虚构中映射中苏联时代那些鲜为人知的实验。

2009-11-24 有用 1
千砂

4.5,在俄式诗意慢电影之中加入了从黑色电影之中得来的倾斜景框从而渲染不安感,此举令其成为哥特和东愁精神的混合体。《直立行走》模仿了社会主义现实主义的苏联式中产阶级的家庭构造,但却置于被弗兰肯斯坦的狰狞怪物的威胁之下。身体的威胁导致了空间的地质学结构的颤动,被加密之物得以显现,在两层的斯拉夫式乡村别墅之中总是存在着充满着蛛网的地宫或阁楼,掩盖的文件、影像——电影媒介的物质载体和明确喻言——指向了那个失去的、创伤的过去——苏联的另类科学狂热,后者进步主义地绝望地创造新社会的“新人类”,却最终达成了僵尸纪元,这只能是苏联病危晚期或者死后才能出现的影像。是的,《直》黑暗启蒙地展现了进步主义的后果,但也召唤了费奥多罗夫-杜金的东正教精神,在这种精神之下可怕的是,死灵复活,未竞的救赎由亲代向子代承继。

2024-09-14 有用 3
塔斯鲁波的痰盂

~In Stock~

2017-06-20 有用 0

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